Authors

Discussion

Traditional craftwork in Uzbekistan serves as a vital conduit of cultural identity, family heritage, and national pride. Far from being solely economic endeavors, the work of Uzbek artisans is imbued with moral significance, reflecting their self-perception as guardians of ancestral skills and contributors to nation-building. By intertwining the historical and cultural significance of their craft with narratives of contemporary development, these artisans play a dual role as agents of capitalism and cultural stewards.

This paper delves into the complex landscape of entrepreneurship in Uzbekistan’s craft sector, offering an in-depth analysis of how artisans navigate their multifaceted roles. Through an exploration of the historical trajectory of craftsmanship in Uzbekistan, the authors trace the evolution of artisans' skills and functions across different periods, illustrating how these practices have adapted to shifting economic and political contexts. In doing so, the paper highlights the enduring significance of craftwork in shaping cultural identity and fostering a sense of belonging within a rapidly changing society.

Furthermore, this study situates Uzbek artisans within broader decolonization discourses and processes in Central Asia, examining their contributions to disrupting post-Soviet narratives and reclaiming cultural sovereignty. By emphasizing the interplay between local traditions and global dynamics, the paper underscores the importance of craftwork in forging resilient cultural identities amidst ongoing societal transformations.

In line with the XI ICCEES World Congress theme of “disruption,” this paper challenges conventional understandings of entrepreneurship, nation-building, and cultural production in Central Asia. It invites new perspectives on the role of traditional crafts in navigating the ruptures of postcolonialism and globalization, offering fresh insights into how local actors engage with, resist, and reshape transregional and global narratives.