Authors

Discussion

“Maria with Wormwood at the End of the Century” (1987)— a central work in Ukrainian literature of  the end of the XX century, written by Volodymyr Yavorivsky (1942-2021), which poetically reflects the political, ecological, and social upheavals in Ukraine. The focus of the research centres on the theme of “roots” as a symbol of connection to one’s homeland and cultural heritage, as well as on the dynamics of preserving or disrupting cultural ties in the face of ecological and social disaster.

Yavorivsky’s work pays particular attention to the Chernobyl disaster, an ecological tragedy that dramatically reshaped the lives of Ukrainians. The image of Maria, the protagonist of the novel, embodies a spiritual and physical connection to her homeland, symbolising the resilience of the Ukrainian people in the face of tragedy. Within the novel, “roots” are more than a metaphor; they are a cultural identifier encompassing all levels of individual and national consciousness, resisting the Soviet system’s attempts to sever these ties.

It is important to note that Yavorivsky’s poetics in portraying and representing upheavals related to political repression, social disorientation, and ecological catastrophes. The novel, saturated with symbols and metaphors bearing strong political resonance, illustrates traumatic events unfolding against a backdrop of social disruption. By depicting the disruption of cultural heritage, the author employs artistic techniques that foster a deeper understanding of the profound social transformations brought about by tragedies such as the Chernobyl disaster. The author demonstrates how literature can inspire society through a wave of emotional and national consolidation.

The dynamics of representing the disruption and continuity of cultural tradition in this work is a significant aspect of the research. The novel highlights the idea of the indestructibility of national “roots” and the need to safeguard one’s history, customs, and heritage, even during extraordinarily challenging times. At the same time, Yavorivsky notes the inevitable changes facing the nation, representing them as part of its development.

The paper also emphasises the social impact of literature that responds to societal upheavals with aesthetic means. “Maria with Wormwood at the End of the Century” serves as an important source of reflection and revaluation of societal values, contributing to the formation of national identity. Literature in this context is not only a reflection of societal pain but also an active participant in cultural rebirth, helping society to process and overcome shared traumas. Through an aesthetic lens, Yavorivsky demonstrates the importance of preserving one’s cultural heritage while being open to change, forming new narratives based on shared experience.